Cry/Laugh Theatre Review: A Medieval Adventure with a Modern Twist (2026)

In a world where entertainment is often a click away, the stage still holds a powerful allure. Cry/Laugh, a production at Òran Mór in Glasgow, invites us to reflect on the enduring appeal of live performance and the unique connection it fosters.

The Story Unveiled

Cry/Laugh, penned by Nay Dhanak, presents a whimsical tale of a town crier and a court jester, James Peake and Morven Blackadder, respectively. In a twist of fate, they find themselves out of work and seeking an audience for their tales. With the help of life-size puppets, they embark on a medieval quest, their journey taking an unexpected turn as they stumble into the future.

A Modern Take on an Ancient Art

The production, directed by Brian Logan and Ben Standish, offers a commentary on our changing world. As the duo laments the loss of face-to-face interaction, replaced by technological gizmos, we are reminded of the value of human connection. Their surreal adventure highlights the absurdity of our reliance on devices and the potential consequences for our social fabric.

Absurdity and Reflection

Despite the duo's plight, the production is an hour of delirious absurdism. Their attempts to adapt their storytelling to a world that no longer seems interested in their art form are both comical and thought-provoking. It raises questions about the role of tradition and the need for innovation in the face of changing times.

A World in Need of Soothsayers

In a world overwhelmed by information, the role of the crier and jester takes on a new significance. They represent a time when news and entertainment were delivered with a personal touch, a human element that is often lacking in our modern, tech-driven lives. Cry/Laugh invites us to consider the impact of this absence and the potential benefits of reclaiming these ancient roles.

Final Thoughts

While Cry/Laugh may not have garnered a perfect score, it offers a unique and thought-provoking experience. It challenges us to reflect on our relationship with technology and the importance of human connection. In a world that often feels disconnected, this production serves as a reminder of the power of live performance and the need to cherish and nurture these ancient arts.

Cry/Laugh Theatre Review: A Medieval Adventure with a Modern Twist (2026)
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